He was right. Though I did manage to shoot everything in this film on the slider, but not without a lot of creative applications of pressure and awkwardly contorting my body to keep it steady. Hunting for a new slider, I settled on the Konova K5. If you have a Costco membership, check out the electronics. Lastly, a shout-out for my favorite editor and one of the greatest bargains.
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May 21st, , AM Jeff Murray. There is another active post here on flicker could be the lighting and several recent ones indicating if you use Exposure Simulation in Liveview settings with the 2. You must use the Movie setting in Liveview. I received this today from Genus:- "It is important to note, in case you are worried, that ALL faders have colour shift and the extinguishing cross. Sorry if I have told you something you already know, I am new to this aswell.
With regards Jeff. May 23rd, , AM Olof Ekbergh. The "7 second rule" is good for 30P as well. But experiment a little and find what you like. I would like to note the excellent sound. How do you find they compare? And have you seen any adverse effects from them, softening, colour tint etc? I will be using them extensively next week and will report back. I loved this even though I could not understand it. I believe I heard one that I reconized.
Just wondering If I am correct. Another great explanation on using the 5D. Was shooting a short film with it on the weekend and found that at higher shutter speeds I get some light banding under fluorescent light. Hi Philip. And a big Thank you that you just share all your knowledge with us, people who try to be just the best as you in shooting and editing :. But what nocks me out in that particular church video the very last shot, where he holds a candle and a shadow from his nose makes his face very ugly and horrible.
Keep it that way, Philip! The lighting was deliberate and atmospheric. This program is intended for a solely HD broadcasting company, so we have to deliver on an HD-cam cassette.
Anyhow, would you recommend the 7D for this kind of program or would the shoot on the EX3 be a better option? Seems like not such a good idea. Now, will it indeed be an impossible task to transfer 2 hours of rushes to a Mac with FCP or an Avid. How will they have to deal with this is? Will the Pro Res be okay or are there other ways to import? What are you meaning in this quote? Do you have to so something to your audio if you record it separate?
I had a rental 7D and I loved it but my job is gonna give me a 5D cause it was bought already. Are you saying you have to convert the recored audio to in my case it would be 24p for it to sync up!
Well I never had to do it! Please help me understand this thanks! You must be logged in to post a comment. Previous Post Next Post. Log in to Reply. Thanks for all the BTS information. Simply wonderful as always. Might help you, might not — but I thought it was worth sharing.
Thank you for all that you share with us, — dave davegriffin. Philip, Amazing post, very well detailed. Awesome lighting in the video.
Beautiful images. I especially liked the track shot. Very inspiring! Once again, thank! Hello Philip, Long time reader, first time writer and once again blown away by your stuff.
Cheers, Craig. From Russia with love, Denis. Philip, thanks for the detail write up! Hi Phil, Another great explanation on using the 5D. Hi Tim. I really would appreciate your advice. Sincerely, Pieter. Smaller files and would work just fine….
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